Archive | Guest Post RSS feed for this section

Guest interview: Steve Toase on Haunt

24 Jun

Steve Toase, author of unsettling fiction and one of the lead writers of the Haunt project, takes time out of his busy schedule to talk about homelessness, collaboration, and a ghost walk with a difference…

Steve Haunt picture for blog

You can find out more about Steve, his published work, and the Haunt project at http://www.stevetoase.wordpress.com, http://www.harrogatehaunt.wordpress.com or on Facebook @stevetoase1.   

Hi Steve. For anyone who hasn’t come across Haunt yet, please could you explain what it is?

Haunt is a project which explores how the lives of people experiencing homelessness or vulnerable housing are haunted by the identity of Harrogate. It is about bringing the stories of people experiencing homelessness or vulnerable housing to the fore, and including them within the voice of town.

How did the project start?

I’ve been carrying around the seed for Haunt since at least 2009. Then, in 2014, Tessa Gordziejko from Imove Arts contacted me to ask if I had any project ideas. I suggested that if we could get a bit of funding I’d put together an anthology of stories based on my own experiences. If we could get a bit more then I wanted to bring Becky Cherriman on board and run writing workshops for people experiencing homelessness. What I really wanted was to create a performance and installation inspired by these experiences, and the idea of people being haunted by the identity of the town. Imove liked the idea and agreed to produce the project.

Who else is involved in Haunt?

Many, many people! I’ve been working with Tessa and Becky pretty much since day one. We’ve worked with Harrogate Homeless Project and Foundation UK (who help people aged 16-25 threatened by homelessness in Harrogate). Throughout Haunt we’ve worked with a vast number of participants. Some only came to one session, others to every one.

We’ve also been working with Paul Floyd Blake, who has taken photos for the project. Bean & Bud hosted an exhibition of Paul’s photos, alongside writing from the workshops, which can now be seen at Harrogate Theatre. Harrogate Royal Pump Room Museum included work from Haunt in their Harrogate Stories exhibition and we’ve held pop up readings at Corrina’s Community Café, and Bean & Bud.

For the latest stage we’ve been joined by physical performers Zoe Parker and Tom Hunt, Kwah, who is responsible for sound design, Al Orange working on the projections, and Steph Jones who is assisting with production. Harrogate Theatre have included Haunt in their 2’s Company Festival, and have been fantastic during the development of the performance.

Why was the focus on homelessness so important to you? And why in Harrogate?

The main reason for Harrogate is because it ties in to my own experience. I was thrown out of home when I was 16, just before my GCSEs. I found myself living in tiny bedsits inside large townhouses, where I felt haunted by the physical presence of Harrogate’s identity within the physical structure of the building.

Harrogate is perceived as a rich place to live and has a history of opulence, yet there is a high level of homelessness. Up to twenty people a month are referred to the local homeless hostel but in a recent survey over 60% of people thought there was little or no homelessness in Harrogate.

In addition, the bedsit type of accommodation isn’t really separated as it is in some places. A street may have a five bedroom family home, a house of flats, and a house of bedsits. Often these can only be identified by the multiple doorbells. This creates a very distinct experience that I felt needed to be brought to a wider audience.

Were you surprised by the quality of work produced by workshop participants?

I was surprised by the range of stories and experiences. We had people coming to the workshops who wrote regularly and at least one who hadn’t written anything beyond a shopping list since school. Every participant wrote work of a high enough quality to be included in the anthology.

What were your aims in setting the project up?

There were a number. One was to show that homelessness is present everywhere, not just in urban centres. That anyone can end up homeless: it just needs family breakdown, or a run of not covering bills, and then the floor falls away. Another aim was to show that each person who is homeless has their own story. They are not an amorphous whole, but individuals with aspirations and hopes. We only see people at one moment in life. If you’d met me in March 1992 the perception of who I was/where I was going would have been very different!

Hand on heart I can say we’ve achieved far more than I ever hoped. Changing perceptions of homelessness is a long process, but if people who read the anthology or come to the performances maybe take a moment to think about the person sat begging who they pass every morning, take a moment to pass the time of day, then we will have succeeded.

Congratulations on your Saboteur Awards shortlisting! Why do you think Haunt has struck a chord with so many people?

Getting onto the Saboteur Awards’ shortlist was amazing! I was a bit overwhelmed when I found out, but so pleased we were shortlisted for Best Collaborative Project. Collaboration is at the heart of everything we’ve been doing.

I think Haunt has struck a chord for several reasons. Firstly, I think that hearing people speak about their own experiences of homelessness is very powerful. It’s a subject that is discussed a lot (particularly in light of recent attempts to impose Public Space Protection Orders, which would have criminalised rough sleepers in specific areas), but normally by people outside looking in.

Secondly, that challenging of perceptions carries over into confronting how Harrogate is seen. Even if people are not personally familiar with the town they will know its reputation. I’ve had several conversations about towns such as Oxford or Bath which are perceived to be wealthy, but also have a lot of people experiencing homelessness.

Having already published a Haunt anthology (which is excellent, by the way), you’re now in the process of creating a public performance of the work. What made you decide to do that?

Thank you! We put a lot of thought into the anthology. The book is small enough to fit into a pocket, so someone experiencing street homelessness can keep their copy with them. The font is Windsor, used in a 1920s brochure for Harrogate, and of course the back cover is one of Paul Floyd Blake’s excellent photos.

I wanted to put on a performance as a piece of site specific theatre to take the stories to a different audience, and to make it a full sensory experience. I don’t want to give too much away, but it will be a ghost walk with a difference…

The performances will take place on June 30th, July 1st and 2nd at 2pm, 5pm and 8pm. The 2pm performance will be slightly different and family friendly. Tickets can be purchased here: http://www.harrogatetheatre.co.uk/whats-on/Haunt

Guest interview: June Taylor

16 May

Leeds-based writer June Taylor (flash fiction author and YA/New Adult novelist) discusses the frightening experience of writing about Krampus, tells us when she finally felt able to say ‘I am a writer!’ and insists that counting isn’t her strong point.

Follow June on Twitter @joonLT . June also tweets for Script Yorkshire @ScriptYorkshire

June 2

June reading ‘When Krampus Comes’ at the UK Krampus Crackers launch.

If you had to describe yourself and your writing in fifty words or less, what would you say?

I’m a writer from Leeds and very proud of my Yorkshire heritage. Like many writers, I need to write. Some days I wish I didn’t, but most days I’m glad that I can. I write mainly novels, but also plays and flash fiction. My novels are YA/New Adult crossovers. I’m interested in characters on the edge of themselves or on the edge of belonging. I’m particularly obsessed with mothers and daughters at the moment. I think you need a good plot but it’s the psychology between the characters that makes it interesting.

(That’s more than fifty words, sorry. I’m hopeless at counting.)

What made you get involved with the Krampus Crackers project and what inspired your story?

I love Tiny Owl Workshop and was involved in their Halloween flash fiction napkins a couple of years ago. They do some really innovative things. So when Vicky put the Krampus Cracker call out I couldn’t resist. And flash fiction is a great way of finding your way into bigger stories and characters. I often use it as a warm-up exercise. However, I have to confess that with my Victorian Krampus story I was totally led by Krampus himself. Really I was just his typist. It was a rather frightening experience. Then, when I was recruited as an elf to assemble the crackers I think I incurred the most paper cuts out of all the elves. It was horrific. You just don’t mess with Krampus.

What are you working on at the moment? Can you give us a sentence from your work in progress?

I’m working on my second book, ‘Two Summers’, a psychological page-turner told from a mother-daughter perspective. My agent is currently trying to sell it (see next question).

It is only in adventure that some people succeed in knowing themselves.” I didn’t write this sentence, André Gide did. But it sums it up pretty well and I was told to put a clever quote on the first page.

What’s your proudest writing achievement so far?

In 2011, I was runner-up in the Times/Chicken House Children’s Fiction Competition with my YA novel, ‘Lovely me Lovely You’. I got my picture in The Times newspaper and everything! It made me feel like a proper writer and able to say, finally, without shame or mumbling into my sleeve: “I AM A WRITER.” It also convinced family and friends that perhaps I’m not barking up the wrong tree after all – just a very tall one with some rather precarious branches. Anyway, I got a literary agent off the back of that success but – familiar story – although the book nearly found a major publisher, it didn’t in the end. I now have a new agent, the fabulous Shelley Instone, whose aim it is to champion Northern writers. I’m proud to be associated with Shelley. We’re a good team.

Which novel or poem etc. do you wish you’d written, and why?

Which poem …? Poetry generally doesn’t do it for me if I’m honest, unless it makes me feel something right away. If I have to search hard for its meaning then it loses its magic. I’d love to be able to write poetry/lyrics like Leonard Cohen. Music and poetry, that’s when it works best for me, I suppose. Or when it has some real relevance, like Simon Armitage’s ‘Black Roses: the killing of Sophie Lancaster’, which is an incredibly powerful use of poetry that conveys the tragic waste of a young life.

Which novel …? Perhaps a cliché in one sense, but I’d love to have written ‘Catcher in the Rye’, or ‘The Bell Jar’. I’d like to write a ‘best-friend’ book that connects with young people and stays with them through life.

Which screenplay …? ‘Thelma and Louise.’

Which radio drama …? ‘Under Milk Wood.’

Which stage play …? Anything by Shakespeare I suppose would make me look good.

If you could only have three books to read for the rest of your life, what would they be?

Well, at the risk of sounding pretentious I think Proust’s ‘A La Recherche du Temps Perdu’ because it would keep me going for life. I’ve only read one volume and there are seven to get through. (I’m assuming this counts as one choice though). Then also ‘Kes’, a book I never tire of reading. Third choice, maybe my book of fairytales I had as a child. I don’t have it any more but there were stories from all over the world in it, as well as the more well-known ones, and the illustrations were magical. It was massive. My chubby little fingers couldn’t turn the pages fast enough. But if that was never to be found again then maybe something else from my childhood, like ‘Wonderful Wizard of Oz’, ‘Alice in Wonderland’. Or ‘Daddy-Long-Legs’. Or ‘L-Shaped Room’… That’s actually more than three books, isn’t it? Told you I’m not very good at counting. Oh well, I’d try and smuggle the extra ones into my carrier bag.

Who said anything about a carrier bag? (I made that bit up actually. I’m good at that).

 Thanks June. I hope you got some enjoyment out of the Krampus Crackers experience. 🙂

Guest interview: Samantha Braham

25 Apr

Thanks to Sam Braham for being the latest UK Krampus Crackers author to guest on this blog, revealing the inspiration behind her flash fiction, what she has in common with Bridget Jones, and her dream of living with the Oompa-Loompas…

You can follow Sam on twitter to find out more about her work. @BrahamSamantha 

DSCN2145Sam at the Krampus Crackers launch event in Leeds.

Describe yourself in 50 words or less:

I’m a writer who doesn’t write as often as I should! I have a busy life so it’s hard to fit everything in. But I’m also a paradox – a busy person who is essentially lazy so any free time is usually spent gazing out the window or eating biscuits.

Why did you become involved in Krampus Crackers and what was the inspiration for your story?

Until about a year ago, I’d never heard of Flash Fiction and then I discovered a couple of American writers on WordPress that write Flash Fiction stories in 100 words. As I have the attention span of a gnat and fail to get beyond page 8 of anything I write, I thought this could be just the thing for me. I’d just finished writing my first ever Flash Fiction piece, Wishes, when I heard about the Krampus Crackers project. I enjoyed the challenge of writing Wishes so decided to try and write a story about Krampus, despite not having any idea who or what he was. After researching his myth and legend, I was struck by his increasing commercial popularity; in particular with chocolate-makers in Austria. I began to wonder what Krampus would make of it all and, from there, came the story.

What are you working on at the moment and can you give us a sentence from your current Work In Progress?

I’m currently working on pieces I’ve previously written. I’m rewriting/editing two pieces of Flash Fiction and a short play. I find it helps to put some distance between myself and my writing so that I can come back to it with fresh eyes. Sometimes I even surprise myself as it isn’t as bad as I originally thought! A line from my short play Lara and Liam (a working title, I’m rubbish at thinking up titles) is “If your Mam were like mine you’d understand.”

What’s your proudest writing achievement so far?

That would be the Krampus Crackers project. The whole thing was an amazing experience for a new writer like me. The opportunity to have a story I had written placed in a cracker and left in venues around Leeds for other to read and – fingers crossed – enjoy was fantastic. That would have been enough in itself but I also got to have my story illustrated, attend a fabulous launch event and have my story read by the Liars’ League in London by a professional actor. Wow, what an experience and I loved every minute of it! A big thank you to Vicky for organising and running the project. She did a tremendous job!

What novel do you wish you had written?

That’s a difficult question as there are so many I love and admire. I suppose I should say something intellectual or cool, quirky and edgy but instead I’m going to say anything by Roald Dahl. Not a novel writer but, for me, the supreme story-teller. Widely fantastic, completely original and totally anarchic! As a child, I was obsessed with Charlie and the Chocolate Factory. I dreamed of being one of the lucky five children who finds a Golden Ticket and is allowed inside Willy Wonka’s factory. Of course, not being a spoilt, over-indulged brat I would be the last one standing, inherit Wonka’s factory and spend the rest of my days surrounded by chocolate and Oompa-Loompas.

If you could only have 3 books for the rest of your life, which 3 would you choose?

Aaarrrggghhh! What an awful question! Ok, I’m going to make this decision on what I do read time and time again, and also on having a bit of variety in my reading if I’m only allowed to ever read three books again.

1 – Bridget Jones’ Diary – I think one of the reasons Bridget Jones is so successful is that most women can see a bit of Bridget in themselves. From dating disasters to messing-up at work, worrying about how many calories I’ve eaten, and drinking too much alcohol and smoking too many fags (I gave up fags many years ago. Can’t say the same for the booze though), I can place a huge tick next to each one and howl with laughter every time I read this book. Also, Helen Fielding’s inspiration came from Pride and Prejudice, which is another of my favourite novels. She paid homage by creating her own Mr. Darcy whilst I did the same by giving one of my daughters the middle name of Elizabeth. Sad, I know.

2 – To Kill a Mocking Bird – Despite loving English, the only book I read for my ‘O’ level English Literature (yes, I’m that old) and enjoyed was this one. Enjoyed is an understatement, it totally blew me away and I read it in two days. I’ve lost count of the number of times I’ve read it since. This book should be on everyone’s top ten reading list.

3 – Great Expectations or The Harry Potter Series – Getting tricky now. I didn’t read Great Expectations until a few years ago. Since then I’ve read it three or four times. I was hooked from the first couple of pages but, what do you expect, it’s a Dickens. Harry Potter isn’t even in the same league, I know, but the truth is I’m a massive Harry Potter nerd. Just recently my twin daughters have developed their own Harry Potter obsessions. When we’re not reading the books or watching the films you can often find them in Gryffindor robes pretending to be Hermione or Ginny. So for the shared family experience I’m going to choose Harry Potter because it would be a shame if my children didn’t have all this wonderful magic in their lives. And I know I’m cheating because there are seven books in the Harry Potter series but I’ve always been one to bend the rules; especially if it’s to my advantage.

Thanks very much Sam, and sorry for asking difficult questions!

Guest interview: Nick Clark

8 Apr

This week, Nick Clark, one of the UK Krampus Cracker authors, answers my questions about writing, his work in progress, and the books he’d choose if he could only keep three…

Find out more about Nick by following him on twitter @ngfclark

DSCN2149Nick at the Krampus Crackers launch event in December 2014.

  • If you had to describe yourself and your writing in fifty words or less, what would you say?

I’m a Leeds-based fiction author with a long-held interest in all that is speculative, sublime and surreal. I like to work with genre fusions and subversions of traditional tropes. My roots are in myth and folklore and worlds behind wardrobes. I plan sober, write drunk, and edit hungover.

  • What made you get involved with the Krampus crackers project and what inspired your story?

The Krampus name leapt out at me when I was skimming through potential story submission opportunities. I’d written an article on mythical Christmas beings the previous winter, so I was already clued up on Krampus and his ilk. The Tiny Owl project allowed me to explore the demon through a creative response, which I really enjoyed.

Flash fiction is entirely new to me. Most of my ‘short’ stories tend to hover around the 5,000 word mark – not really ideal when the typical competition out there caps a 3,000 word limit. Still, I was eager to give flash fiction a go, especially with a theme I was interested in.

I’m a big fan of the short stories of Kelly Link, and I knew I wanted to do something that placed a similar emphasis on stylisation and stark imagery. I wrote the story, edited it, and submitted it over five days. I didn’t have especially high hopes for it because of how little time I had, so I was overjoyed when I got the good news from Vicky. It also spurred me on to develop the setting into what might become a Yule-themed fantasy novel. I love it when the writing process starts linking things together like that!

  • What are you working on at the moment? Can you give us a sentence from your work in progress?

Helwick’s tower stood in the middle of a small island, and the sea encircled it – rising up for more than a hundred feet, so high that the sky above was framed by a ragged edge of restless ocean.

This is from my current project, a YA novel set in a post-apocalyptic flooded world. I know the whole ‘water planet’ concept has been done before, but I’ve always felt it was such a rich source of ideas that hasn’t been fully explored yet. This is my own take on it, which fuses the consequences of catastrophic climate change with epic fantasy, and aims to subvert some of the typical ‘high seas adventure’ tropes. It’s about a magician who wakes up after an enchanted sleep he cast on himself wears off. He’s suffering from amnesia, so we follow his exploration of the drowned world whilst he slowly uncovers his past – not all of it to his liking.

  • What’s your proudest writing achievement so far?

Aside from Krampus Crackers (of course), it would have to be my short story Rattenkönig, a ghost story that got published in Tethered By Letters’ quarterly journal. It was my first story to win a competition, my first to get illustrated, and my first paid gig as well. Needless to say it made me outrageously happy. TBL are really generous with their cash prizes and passionate about helping new authors. They’ve recently revamped their website so take a look.

  • Which novel do you wish you’d written, and why?

His Dark Materials by Philip Pullman. I was sixteen when I first read it, and it completely changed my view of what fiction could achieve and where it could go. I think it represented a direction I would have liked to take my own ideas of writing – if I’d been any good at that point – so of course I was immensely jealous of someone who could set out such accomplished and thought-out storytelling. Still am.

  • If you could only have three books to read for the rest of your life, what would they be?

OK, I’m going to give you a very practical answer for this:

    • Wonderbook by Jeff Vandermeer – Without books my writing would get very stale so a writer’s guide of some description would be essential. This one is beautifully illustrated and full of insightful detail.

    • Norton Anthology of Theory and Criticism – It’s a book I’ve had since uni that contains absolutely tons of critical theory from throughout its history. Theory often requires repeated reading to get your head round it, so there’ll be plenty of time to do just that.

    • The last A Song of Ice and Fire book by George R R Martin – Obviously.

Thanks Nick!

Guest post: Deborah Walker

2 Mar

Deborah Walker is the second of the UK Krampus cracker authors to kindly contribute a guest post to this blog. You can find out more about her on her website, where she describes herself like this: “After a twenty year period of procrastination, I started to write in autumn 2008. I’ve managed a few hundred acceptances since then. I write all types of science fiction, horror and fantasy, poetry and short stories.

Deborah’s blog post is about her love of museums and the way they inspire her.

Ideas for my stories come to me in museums, in galleries, in libraries. Find me upstairs (and it’s always quieter upstairs) in the British Museum trawling the past looking for future inspiration.

Old books, paintings, objects are part of our material heritage. Survivors of the ravages of times, sometimes cherished throughout the ages, sometimes forgotten, dug from the ground, broken and then reconstruction. Objects tell stories. Museums select and interpret these stories, grouping objects together to give a window into the past.

Museum objects are rich in concrete detail for stories. And not just for fantasy stories, set in the real or imagined past. A detail from the past can act as a springboard for a story about the future. Looking at the helmet of a 10th century Norwegian chief leads me to consider what armour a space Viking might wear (Space Vikings! Now I want to write a space Viking story). Looking at a beaten gold headdress from ancient Ur makes me wonder how the woman felt wearing such a beautiful and precious item. How did her society shape her? How will my future society shape my characters? An object in a museum will catch my attention. Why was this sword engraved with the image of a bear? And that will send me down a pathway of research.

A_Philosopher_Lecturing_with_a_Mechanical_Planetary_-_1766
A Philosopher Lecturing on the Orrery, by Joseph Wright, 1766 (Deby Museum and Art Gallery)

Some museums collect the finest pieces of the past, the most costly, the most cherished. Objects may be monumental, priceless and awe-inspiring. But these are not the only stories to be told. Sadly many objects from the past of the working person have been lost. Yet, you can still glimpse the lives of working folk painted as rural scenes on objects. And social museums seek to recapture a glimpse of the ordinary, the everyday.

Objects, books and paintings are material records of the stories told in the past, the stories of religion and mythology. You can read the changing nature of stories through objects. Creation stories, eschatologies, the stories of the gods as their worshippers migrate and change, stories of lovers seeking to retrieve their beloved from the underworld. Some stories are repeated through the ages. What element has gripped so many imaginations?

Musuems don’t always look backwards. In the British Museum’s African Galleries there’s a sculpture called Tree of Life (2004) constructed out of decommissioned rifles. Science museums examine the science of the past, the future and even trends for the future.

The presence of an object in a museum in a story in itself. The Parthenon Marbles, the Benin Bronzes (and others) on display in London are subject to repeated calls to be returned to their countries of origin. These objects tell stories of colonialism, empire, and war.

Though I love the massive, wealthy London museums and galleries, I’ve a fondness for the more obscure museum. After all, I used to work for one, as curator of the Royal Veterinary Museum. In London you can visit Alexander Fleming’s laboratory, or visit the Royal College of Surgeons Museum to explore the ideology that underpinned medicine for thousands of years. University are centres of research and specialism. Their collections are often open to the public by appointment. It’s worth trying a visit to a museum outside your area of interest. Volunteering to help out during my daughter’s school trip took me to the Imperial War Museum, I saw a wealth of cool spy gadgets that will no doubt work their way into some of my stories.

Ram-in-A-Thicket
Ram in a Thicket (2600-2400 BC) from Ur, in southern Iraq, British Museum

I live in London, and this article has been about London’s cultural wealth. But you can find wonderful museums everywhere. Holidays at home or abroad are opportunities to glimpse other cultures. A family wedding in Cyprus found me in a small museum examining of hundreds of votive offerings, clay figurines of a men on horseback. A collection that I couldn’t have seen anywhere else. I’m Derbyshire born and bred. Derby’s Museum has a wonderful collection of Joseph Wright of Derby’s atmospheric paintings exploring the development of modern science during the Enlightenment. A bus ride from my home town takes me to the D.H. Lawrence Museum, and to the National Trust’s Museum of Childhood. And sometimes history can’t be constrained to a building. I like the prehistoric stones ring at Arbour Low in Derbyshire that sometime in the past has been pushed over. The standing stones are fallen, nobody remembers why. There’s history everywhere.

And there’s the internet. Museums have embraced the internet seeking to widen access to their collections. It’s not, in my opinion as good as seeing the real thing. (Who can forget standing under the real-size model of the Blue Whale at the Natural History Museum?) But museum websites are a valuable resource.

And if you do take a trip to a museum, don’t forget to take a tour. Curators love to talk their collections. They have a passion for them. And curators are people who want to communicate stories. I should know; I used to be one.

••••

Two of Deborah’s stories inspired by the London’s cultural heritage are “The Bio-Documentarian of the British Library” published in Cosmos, and “Green Future” published in Nature’s Futures.

Nicobobinus, the boy who can do anything

25 Feb

Jofre Alsina, Lloyd Gorman and Eilidh Debonnaire in Nicobobinus c. Ellie Kurttz                  Terry Jones_Red Ladder-1244

Please click here to read my review of ‘Nicobobinus’ which was written to celebrate Red Ladder Theatre’s 2015 production based on the book by Terry Jones. This post was published on the Leeds Big Bookend Literature Festival Website 25/02/2015.

Guest post: Madeleine McDonald.

8 Feb

Madeleine McDonald was one of the UK Krampus cracker authors, and read her flash fiction at the launch event in December. She’s a busy and talented lady, and you can read more about her on her blog. Madeleine has kindly agreed to share a post with us, reflecting on what led her to get involved with the Krampus crackers project. And for the record, all three of her entries were great.

HAVING A GO

 

I entered the Krampus Krackers competition in order to try something different. The first draft of my third romance novel was finished but it had been a long, lonely slog. With a sigh of relief, I put the manuscript away in a drawer. As with all first drafts, I had convinced myself I was trailing a cadaver that deserved only a decent burial. Nonetheless, I limped along to The End and told myself the historical research had been interesting.

 

To clear my head, I googled writing competitions and had a go at anything and everything. Within the discipline of a short word count and a set subject, my imagination roamed free. For better or worse, I produced science fiction, cosy crime, regency romance, regional fiction, time travel, magical realism, political satire or poetry. Vicky placed no limits on submissions, so I bombarded the poor girl with three variations on the Krampus theme.

 

The heartening result was two tongue-in-cheek cosy crime stories published and an invitation to read out my winning Krampus krackers story in Leeds. Thanks to Vicky and my fellow winners for an enjoyable evening.

 

And that misshapen first draft? Not so bad when I take a fresh look at it. As with all first drafts, radical surgery is required. Now it’s time for my competition shorts to take a rest in a drawer, while I edit and polish.

 

———

Click on this link Enchantment in Morocco to buy Madeleine McDonald’s first romance novel, on special offer from Amazon at 99p.

Enchantment - Kindle Rev 1